Medieval-Renaissance Music Conference
Utrecht University, 1-4 July 2009
| 9:00-17:00 | Registration / pick-up of materials Drift 21, 0.03 |
||
| 10:00 | Opening words Drift 21, central hall |
||
| Prof. Dr. J.C. Stoof, Rector Magnificus, Utrecht University | |||
| Prof. Dr. Karl Kügle, Professor of Musicology (History prior to 1800), Utrecht University | |||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 10:30 | Spanish Sacred Polyphony Chair: Theodor Dumitrescu |
Notational Concepts Chair: Michael Cuthbert |
Projects and Methodologies Chair: Rudolf Rasch |
| Joseph Sargent (Stanford University) |
Warwick Edwards (University of Glasgow) |
Jan Kolacek (Charles University, Prague) |
|
| The Magnificat quarti toni and Spanish Marian Devotion | Music Beyond Measure: Towards a Cognitive Approach to the Rhythms of Medieval Song | The Global Chant Database Project | |
| Noel O'Regan (University of Edinburgh) |
Helen Deeming (Royal Holloway, University of London) |
Anne-Emmanuelle Ceulemans (Musée des Instruments de Musique, Brussels / Université catholique de Louvain) |
|
| Piracy Or Parody? The Exordium of Tomás Luis de Victoria's Versa est in luctum | Editing Early English Songs | The Transition from the Medieval Fiddle to the Baroque Violin | |
| 11:30 | Motets and Attributions Chair: Theodor Dumitrescu |
Notational Interpretation Chair: Rudolf Rasch |
|
| Joep van Buchem (Utrecht) |
Martin Ham (University of Surrey) |
||
| An Anonymous Tota pulcra es in London Royal 8.G.VII | A Received Custom - The Meaning of 'tripla' | ||
| Stephen Rice (University of Southampton) |
Reinier de Valk (Utrecht) |
||
| Pierre Moulu: Sources and Attributions | Designing Computational Methods for Interactive Editing of Lute Tablature With a Focus on Automatic Transcription | ||
| 12:30 | Lunch | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 14:00 | Ars Nova: Polyphony and Sources Chair: Karl Kügle |
Urban Contexts: Germany and the Low
Countries Chair: Eric Jas |
Panel Session:
Symbolische Kommunikation in der Messvertonung des 15. bis 17.
Jahrhunderts Chair: Jürgen Heidrich |
| Elizabeth Nyikos (University of South Carolina) |
Helen Green (Open University, London) |
Jürgen Heidrich (Universität Münster) |
|
| The Columbia College Gloria: A Newly Discovered Fragment of Ars Nova Polyphony | Dances and Dance Music in the Cities of Maximilian I's Teutsche Nation (1486-1519) | Einführung: Formen symbolischer Kommunikation in den Messvertonungen der Renaissance | |
| Renata Pieragostini (University of Cambridge) |
David Burn (Katholieke Universiteit Leuven) |
Andrea Ammendola (Universität Münster) |
|
| Little-Known Fragments with Polyphony in Bologna | Leonhard Päminger's Musical Offerings | Herrschermessen an europäischen Höfen des 15. bis 17. Jahrhunderts | |
| Kate Maxwell (University of Glasgow) |
Daniel Jungblut (Universität Münster) |
||
| Understanding the Manuscript Transmissions of Machaut's Mass | Machtlegitimation und Herrschaftsanspruch in den Sacrae Symphoniae von Lambert de Sayve | ||
| Daniel Glowotz (Universität Münster) |
|||
| Ludwig Daser (1526–1589): Ein süddeutscher Messenkomponist zwischen Reformation und Gegenreformation | |||
| 15:30 | Coffee Break | ||
| Room: 0.32 | Room: Sweelinckzaal | ||
| 16:00 | Contrapuntal Technique Chair: Margaret Bent |
Medieval Liturgy Chair: Ulrike Hascher-Burger |
|
| Julie Cumming Peter Schubert (McGill University) |
Ute Evers (Universität Augsburg) |
||
| Patterns of Imitation, 1450-1508 | New Insights on the Quem queritis-Melodies | ||
| James Grier (University of Western Ontario) |
|||
| The Office of the Trinity at Saint Martial in the Eleventh Century | |||
| John Milsom (Christ Church, Oxford) |
Nils Holger Petersen (University of Copenhagen) |
||
| A Composition Lesson with Josquin des Prez | The Eucharist and Liturgical Representation in Music | ||
| 18:00 | Opening reception with book presentations: Margaret Bent, Bologna Q15: The Making and Remaking of a Musical Manuscript (LIM) David Fallows, Josquin (Brepols) co-sponsored by LIM Editrice and Brepols Academiegebouw (Domplein 29), Aula |
||
| 20:00 | Concert: Ensemble Clément Janequin:
"Les cris de Paris" Jacobikerk (St. Jacobsstraat 171) |
||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 9:00 | Milan and Music Chair: Stanley Boorman |
Panel Session:
Approaching Heinrich Isaac - Some Observations on his Life, Music, and
Performance Practices Chairs: Stefan Gasch and Birgit Lodes |
Cultural Resonances in Late-Medieval Theory Chair: Karl Kügle |
| Rebecca Stewart (The Hague) |
Giovanni Zanovello (Indiana University) |
Christian Leitmeir (Bangor University, Wales) |
|
| The Interrelationship between Chant, Modality and Language: Lux fulgebit, a Case Study | Heinrich Isaac, the Medici, and Other Florentines | Theory Encoded in Practice: The 'Flowers of Mensural Music' Revisited | |
| Bonnie Blackburn (Oxford University) Leofranc Holford-Strevens (Oxford University Press) |
Katelijne Schiltz (Ludwigs-Maximilians-Universität München) |
David Maw (Oriel College, Oxford) |
|
| The Music Treatise for the Cardinal | The Canons in Isaac's Choralis Constantinus II | Redemption and Retrospection in Jacques de Liège's Concept of Cadentia | |
| Saskia Rolsma (Utrecht) |
Thomas Schmidt-Beste (University of Wales, Bangor) |
Luminita Florea (Eastern Illinois University) |
|
| Motets and their Function: Some Thoughts | Texture and Style in Henrich Isaacʹs Cantus Firmus Motets | Sound as A Luxury Good: Textiles and Clothing Similes in Fourteenth-Century Music Theory | |
| Christiane Wiesenfeldt (Universität Münster) |
|||
| Composing from a Distance. Heinrich Isaac's BMV Masses in Context | |||
| 10:30 | Coffee Break | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 11:00 | Early Modern Northern Court Cultures Chair: Kate van Orden |
Panel: Approaching Heinrich Isaac continued | France and Italy in the 14th Century Chair: Jacques Boogaart |
| Katherine Butler (Royal Holloway, University of London) |
Sonja Tröster (University of Vienna) |
Ruxandra Marinescu (Universiteit Utrecht) |
|
| 'By Instruments her powers appeare': Music, Queenship and the Case of Queen Elizabeth I | Henricus Isaac's Lieder: An Overestimated Repertoire or Sleeping Beauties? Notes on Style, Compositional Techniques and Textual Relations | Fauvel's Portrait: Manipulating Vernacular Lais in the Roman de Fauvel | |
| Kristin Rygg (Hedmark University College) |
Markus Grassl (Universität für Musik und Darstellende Kunst, Wien) |
Giuliano Di Bacco (University of Exeter) |
|
| When Angels Dance for Princes - The First Danish Ballet de Cour | Absque verbis: Einmal mehr zu Heinrich Isaacs textlosen Kompositionen | Borrowing and Cross-Fertilisation of Repertories: The Case of the 14th-Century Chace/Caccia | |
| Stefan Gasch (University of Vienna) |
Cathy Ann Elias (DePaul University) |
||
| Hic jacet ... Isaci discipulus ... - Traces of Heinrich Isaac in Compositions by Ludwig Senfl | Preaching with Songs: Music as Moral Exemplars during Warring Times and Plagues in Late Trecento Tuscany | ||
| Andreas Pfisterer (Universität Regensburg) |
|||
| Imitative Techniques in Isaac | |||
| 12:30 | Lunch | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 14:00 | Biography and Repertory in 15th-Century
France Chair: David Fallows |
Aspects of Medieval Notation Chair: Susan Rankin |
Secular Italian Texts: Form, Function,
Setting Chair: Katelijne Schiltz |
| Kathleen Sewright (Rollins College) |
Ulrike Hascher-Burger (Universiteit Utrecht) |
Gioia Filocamo (Istituto superiore di Studi musicali di Terni) |
|
| Alexander Agricola in France: Evidence for his Early Years | Linienlose Neumen in Handschriften um 1500: Notation in Medinger Gebetbüchern | To the Madonna, Jesus, or God? Choosing a Lauda Contrafactum Text | |
| Rob Wegman (Princeton University) |
Makiko Hirai (Tokyo University of the Arts) |
Alma van der Berg (University of Amsterdam) |
|
| Fremin le Caron and the L'homme armé Tradition | Two Notators in the Codex Calixtinus: A Hypothesis | The Verse Lines of Poems: Visible to the Eye but Audible to the Ear? | |
| The Culture of the Chanson Chair: David Fallows |
|||
| Honey Meconi (Eastman School of Music, University of Rochester) |
Judith Cohen (Tel-Aviv University) |
||
| Chansonniers as Conduct Manuals | Alfonso della Viola (c. 1508 - c. 1574): Chronology, Influences, Reception | ||
| Emily Zazulia (University of Pennsylvania) |
Daniel Donnelly (McGill University) |
||
| "Corps contre corps," voix contre voix: Conflicting Codes of Discourse in the Late Fifteenth-Century Combinative Chanson | Endless Falling: Musical Glossing in Parallel Settings of "Ma di che debbo lamentarmi" | ||
| 16:00 | Coffee Break | ||
| 16:30 | Keynote lecture: Kate van Orden Room 0.32 |
||
| 18:00 | Reception and conference dinner Museum van Speelklok tot Pierement (Steenweg 6) |
||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 9:00 | In and Around the Chigi Codex Chair: Thomas Schmidt-Beste |
Music and Performance Chair: Jan Nuchelmans |
Saints and Services Chair: William Mahrt |
| Margaret Bent (All Souls College, Oxford) |
Anne Smith (Schola Cantorum Basiliensis) |
Catherine Saucier (Arizona State University) |
|
| Ockeghem's Requiem? | Rhetoric of Context Or How Our Understanding of Context Can Influence Performance | Hearing Saintly Suavitas: St Lambert's Voice | |
| Edward Houghton (UC Santa Cruz) |
Greta Haenen (Hochschule für Künste Bremen) |
Barbora Sojková (Charles University, Prague) |
|
| Three Motets in the Chigi Codex: Connections and Contrasts | Unterwegs zu einem neuen Klangideal: Sänger, Instrumentalmusiker und solistische Virtuosität | The Office of St. Scholastica in Notated Manuscripts of the St. George Convent in Prague | |
| Agnese Pavanello (University of Salzburg) |
Louis Peter Grijp (Universiteit Utrecht / Meertens Instituut) |
Michael Alan Anderson (Eastman School of Music, University of Rochester) |
|
| Stabat mater / Vidi speciosam: Zur Entstehung und Datierung der Motette Gaspar van Weerbekes im Chigi-Codex | Reflections on the Reconstruction of Niewe Duytsche liedekens ("Maastricht Song Book", 1554) | The Heritage and Symbolism of the St. Anne Office in Torino, MS J.II.9 | |
| 10:30 | Coffee Break | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 11:00 | Panel Session:
Worship and Liturgy in Sixteenth-Century Bruges Chair: Bonnie Blackburn |
Voice and Weltanschauung Chair: Ulrike Hascher-Burger |
Politics and Polyphony Chair: Lenka Mráčková |
| Pieter Mannaerts (Katholieke Universiteit Leuven / Alamire Foundation) |
Elizabeth Mellon (University of Pennsylvania) |
Tim Shephard (University of Nottingham) |
|
| Two Monastic historiae in Honourof St Godelieve | Vox Humana: Changes in the Disciplinary Positioning of the Voice in Late Antiquity and the Early Medieval Period | Princely Economies? Music, Money and Rulership in Ferrara from Ercole I to Alfonso I | |
| Nele Gabriëls (Katholieke Universiteit Leuven / Alamire Foundation) |
Grantley McDonald (Centre d'Études supérieures de la Renaissance, Tours / Le Studium) |
Pawel Gancarczyk (Institute of Art, Polish Academy of Sciences, Warsaw) |
|
| Local Repertoire in Cambrai, Médiathèque Municipale MSS 125-128: The Case of Salve quadruplicem gestans Godeleva coronam | The Musical Form of Marsilio Ficino's Orphic Singing | Printed Polyphonic Songs and Politics in 16th-Century Poland | |
| Véronique Roelvink (Utrecht) |
Nicoletta Gossen (Basel) |
Agnieszka Leszczynska (University of Warsaw) |
|
| There is a Time for Everything: Reconstructing a Musical-Liturgical Year in the Sint-Jacobskerk in Bruges in the 1530s | La flors enversa - poetisch-musikalische Gegenwelten in Mittelalter | De Drusina - A Family of Musicians from Gdańsk | |
| 12:30 | Lunch | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: Kromme Nieuwegracht 80, 0.12 | |
| 14:30 | Panel Session: The
Acquisition and Reception of Foreign Musical Repertories in
16th-Century Portugal Chair: Noel O'Regan |
Intellectual Tradition Chair: Leofranc Holford-Strevens |
CMME Project Hands-on Workshop on Digital Editions |
| Owen Rees (The Queen's College, Oxford) |
Jan Herlinger (Louisiana State University School of Music) |
||
| Northern Musical Repertories in Coimbra | Prosdocimo's Expositiones on the Libellus cantus mensurabilis | ||
| João Pedro d'Alvarenga (CESEM / University of Évora) |
Linda Cummins (University of Alabama) |
||
| Some Notes on the Reception of Josquin and of Northern Idioms in Portuguese Music and Culture | Berlin 1010: A New Source for Medieval Music Theory | ||
| Filipe Mesquita de Oliveira (UnIMeM / University of Évora) |
Jane Hatter (McGill University) |
||
| The Two Manuscript Sources 48 & 242 from Coimbra University Library and the Development of the Keyboard Tento in the Second Half of the 16th Century | Musica: Music about Music in the Late-Fifteenth and Early-Sixteenth Centuries | ||
| Bernadette Nelson (CESEM / Universidade Nova de Lisboa) |
Walter Kreyszig (University of Saskatchewan / Center for Canadian Studies, University of Vienna) |
||
| Building a Library: Origins of John IV of Portugal's Livraria de Musica | The Transmission of Pythagorean Arithmetic from the Greek to the Latin Orbits during the Renaissance: Establishing a Link Between Nichomachus of Gerasa and Franchino Gaffurio via Boethius, Martianus Capella, Isidore of Seville, Ugolino of Orvieto and Johannes Tinctoris | ||
| 16:30 | Coffee Break | ||
| 17:00 | Keynote lecture: Susan Rankin Room 0.32 |
||
| 18:00 | Business meeting Room 0.32 |
||
| 20:00 | Concert: Camerata Trajectina: The Maastricht Song Book Geertekerk (Geertekerkhof 23) |
||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 9:30 | Panel Session: Byrd Chair: John Milsom |
Stylistic Paradigms Chair: Giovanni Zanovello |
Writing and Printing Chair: Marnix van Berchum |
| Andrew Johnstone (Trinity College, Dublin) |
Ramona Hocker (Universität Wien) |
Stanley Boorman (New York University) |
|
| Harmonic fuga in Byrd's Great Service | L'homme armé, dona nobis pacem | The Earliest French Music Printing | |
| David Trendell (King's College, London) |
Jennifer Thomas (University of Florida) |
Barbara Eichner (Goldsmiths, University of London) |
|
| Aspects of Byrd's Treatment of Dissonance in his Latin-Texted Works | Renaissance Classicism and Imitatio at the French Royal Court | The Afterlife of Isaac's Choralis Constantinus - A New Source from Southern Germany | |
| Kerry McCarthy (Duke University) |
Patrice Nicolas (Université de Montréal) |
||
| From the Library of William Byrd | Georg Rhau and Jacotin's Beati omnes qui timent Dominum: A Humanist Re-Vamping of a Pre-Humanist Work | ||
| 11:00 | Coffee Break | ||
| Room: 0.32 | Room: Sweelinckzaal | Room: 1.09 | |
| 11:30 | 15th-Century Source Studies Chair: Michael Anderson |
Politics and Diplomacy Chair: Honey Meconi |
Orthodoxy, Heresy, and Reform Chair: Christian Leitmeir |
| Lenka Mráčková (Charles University, Prague) |
Evan MacCarthy (Harvard University) |
Inga Mai Groote (Ludwigs-Maximilians-Universität München) |
|
| Cantio, Lied or Chanson? The Codex Strahov as a 15th Century Song Treasury | Diplomacy and Music: A Case for Antoine Haneron and Francesco d'Este | Melanchthon and Music | |
| Ian Rumbold (Birmingham) |
Vassiliki Koutsobina (Athens) |
Dana Marsh (Girton College, Cambridge) |
|
| Austrian or Bavarian? Hermann Pötzlinger's Music Book (Munich 14274) | A King, a Pope, and a War: Economic Crisis and Faulte d'argent Settings in the Opening Decades of the Sixteenth Century | Ecclesiastical Musicians and the Continuum of Henrician Religious Orthodoxy | |
| Ralph Corrigan (University of Manchester) |
|||
| The Dating of BU 2216: Some Thoughts towards the End of my Studies | |||
| 13:00 | Closing canal boat tour / lunch Gather in Drift 21, central hall, for embarcation at Viebrug |
||